Sunday, January 30, 2011

Looking up: Enjoying winter’s Milky Way

Ever see the constellation of the Groundhog? Neither have I because there isn’t one. If there was, the holiday would be “Groundhog Night” but then he’d never see his shadow unless it was nearly a full moon. Then we would rarely get the joy (?!) of six more weeks of winter.

Winter nights are cold in this part of the world, but so worth bundling up and putting a couple of those hand warmer pouches in your gloves. What splendor awaits!

On occasion, the sky is exquisitely clear. Daytime’s rich turquoise sky often heralds a transparent window into the universe over backyards across the region.

On a night like this, it can be so clear that light pollution does not stand as much of a chance to spoil. There is less dust and vapor to reflect and diffuse the bombardment of light from our streetlights, security lights, signs and parking lot lamps. The constellations become filled with sprinkling of faint stars, salted generously. Even the winter Milky Way stood out more plainly than it usually does.

This is tougher to appreciate if you live in or near a city, but your best view is likely straight overhead, in the “zenith.” At this time of year, the constellation Auriga, the chariot driver (if you want, you can call him Louie the Taxicab Driver), passes overhead in the evening.

The Milky Way passes right through Auriga, and it is rich in star clusters easily spotted in binoculars. Marking Auriga’s “eye” is the bright yellow star Capella.

Winter evening’s portion of the Milky Way Band is not as easy to see as the summer section. The Milky Way Band completely encircles the sky, though we never see all of it at once. The sun is one of the 100 billion or so stars making up the Milky Way galaxy and is situated within the broad stellar arms that curve from the wider central hub of our wonderful galaxy.

When you see the Milky Way Band, you are looking at the neighboring spiral arms, which overlap one another from our viewpoint within. The summer Milky Way is wider and brighter because we are looking towards the central hub of the galaxy.

Scanning across the Milky Way Band with a telescope is like a portal view from some future starship. Even a small telescope reveals thousands of stars, bright and dim and everything between, filling the field of view with endless and curious arrangements.
With the random sprinkling of stars, it is no surprise they will group into geometric shapes, creating for our imagination all sorts of custom constellations technically called “asterisms.” Stars were seen in wonderful lines and arc, making corners of imaginary boxes and other shapes. It is easy to picture objects, not unlike we may have done as a child gazing at puffy fair-weather clouds.

Oh, to be so carefree again! We can be, if even for a few minutes to spare, to let your heart be filled. We are not robots limited to a cold intellect.
Orion’s Great Nebula (M42), visible as a fuzzy star to the unaided eyes just below the left side of the “Belt” stars, became a vivid, complex assembly of space dust, illuminated by stars, in the telescope eyepiece.

With 100 billion stars and vast cosmic clouds called nebulae filling much of the galaxy, one might think space is far from empty. You’re right. Although we speak of the vacuum of outer space and how very empty it is compared with our world, it is well populated with atoms of every element imaginable and energy of every frequency making waves as it passes by.

Atoms are so sparse beyond Earth or any planetary or stellar body that space can effectively be considered a “perfect vacuum.” Where space begins is also a relative question; the Earth’s atmosphere gradually thins as altitude increases. Even satellites in low Earth orbit will eventually fall because of friction with the atoms of the outer atmosphere. The United States sets the definition of an astronaut as one who travels 50 miles up and greater.

Astronomers, and particularly those who study the universe at large, who are called cosmologists, ponder an annoying missing component that has been termed “dark matter.” Pending a satisfied description, this hypothetical “stuff” is used to account for what seems to be missing mass needed to give galaxies and matter in general the gravity and physical forces they are observed to contain.

Clearly, there are enough questions to keep us going!

The most wonderful part of all this is you don’t even need to know all this to simply enjoy the beauty of the night sky, cherished ever since mankind looked up on the first clear night.

THROUGH THE TELESCOPE: NO STRINGS ATTACHED

Ten years ago, really couple of people would have believed which it would be probable to attend to song from your groundwork mechanism on your party complement upstairs, or download songs to your Wi-Fi-enabled MP3 player. But Wi-Fi record has done it probable to do not usually these, though a society of pick applications as well. The record is right away found in a crowd of non-computer electronic inclination as good similar to home drama receivers, unstable gaming devices, DVD players as good as even digital cameras.

Most people relate a tenure ‘Wi-Fi’ with a capability to crop a internet wirelessly. Although this clarification is not incorrect, there is many some-more to Wi-Fi wireless record than only browsing a internet. Short for ‘wireless fidelity,’ Wi-Fi has valid to be one of a many renouned wireless communications standards in a marketplace for a last dual decades approximately. In a fledgling stages, Wi-Fi record was roughly only used to wirelessly bond laptop computers to a internet around LANs, though interjection to a measureless coherence a record provides, this is no longer a case. Wi-Fi is technically a copyright code name for a wireless customary owned by a Wi-Fi Alliance; many similar to Bluetooth® is copyright by a Bluetooth Special Interest Group. However, a tenure has turn so at large used (like Xerox® as good as Kleenex®), which it has turn a general term, as good as a copyright is no longer protected. When traffic with Wi-Fi, there have been sure issues which need to be kept in mind. And it is many appropriate which prior to we dally with this nonetheless novel record which so fascinates us, we sense a couple of principal manners of regulating Wi-Fi. For example, securing your Wi-Fi network requires some-more effort. Wi-Fi entrance points do not come with encryption true out of a box; we have to do it from your mechanism once a network is up as good as running. An unsecured wireless network is receptive to attacks from hackers, potentially giving them entrance to all of a report stored by a inclination on your network. In addition, friendly, nonetheless unapproved computers will additionally be means to bond to your network, occupying a bandwidth as good as opposition altogether network performance. To strengthen Wi-Fi networks we can implement confidence safeguards similar to Internet Protocol Security (IPsec), Wired Equivalent Privacy (WEP) encryption standard, as good as a many used Wi-Fi Protected Access (WPA2).On a brighter note, Wi-Fi has completed acceptance worldwide as a improved pick to a Wired Land Area Network (WLAN). A Wi-Fi tie enables we to pierce your appurtenance around though losing a internet or pick network resources. The mobility cause is one of a greatest advantages of Wi-Fi. As prolonged as we have been inside of tighten vicinity to an entrance indicate or hotspots, we can bond to a internet anywhere, be it in a grill or at a airport. Nowadays, many open areas suggest entrance to internet entrance by Wi-Fi networks. Since a pregnancy of this technology, users have detected a series of advantages. Firstly, this record enables Local Area Networks (LANs) to be commissioned though cabling for customer devices, to illustrate shortening a costs of network designation as good as expansion. This is quite utilitarian in areas where cables cannot be run, similar to outside locations as good as chronological buildings. Now, we do not need to be scored equally to a workstations to entrance emails or crop a net. We can loll in a bureau cafeteria or anywhere inside of a bureau campus as good as get continuous to a internet. Unlike mobile phones, Wi-Fi is a tellurian set of standards as good as any Wi-Fi-enabled device will work in any nation in a world. Another value of Wi-Fi Technology is which it is accessible in over 250,000 open hotspots as good as millions of homes as good as corporate as good as university campuses around a globe. In further to all a advantages of Wi-Fi, many guarantee measures have been taken to equivocate injustice of a record by unapproved users. Looking ahead. The 802.11n (expected in early 2009), should open a doorway to a immeasurable collection of brand new applications on Wi-Fi. Although a last specifications have not been disclosed, send speeds have been reportedly 10 times faster than a tide standards (540Mbps as compared to a tide 54Mbps). This is some-more than sufficient bandwidth to await even a many perfectionist transfers. If a customary is approved, as good as send rates sojourn at their speculated levels, reliable, high-definition streaming media might eventually turn a reality. Thanks to Wi-Fi, users have been no longer cramped by a cords which couple their devices, enabling brand new levels of connectivity though sacrificing duty or pattern options. With a tide customary of 802.11a as good as 802.11b, confidence as good as division have been a categorical issues with a benefaction Wi-Fi standards, as good as a incapacity to reliably tide high-definition audio as good as video.  

Tips & Techniques for High Fashion Wedding Photography

Introduction

High fashion wedding photography captures a mood as it conveys a story with one look. It is less about the bride or groom, although they become part of the picture, and more about the feelings displayed. Although you may take these yourself, they are best taken by commercial photographers, as these types of photographs require a multitude of skills, such as an in-depth knowledge of lighting; photography software programs; composition and an eye for perfectionism and details.


Artistic Bridal Poses

A picture of the bride smiling at you may be pretty, but it is also mundane. However, a picture of the bride standing by a window, looking out into a courtyard watching a little girl play gets you wondering. Is she wishing she was the little girl and for a return to her carefree youth or is she thinking I wonder if our children will be as beautiful when we have them? The latter is what makes a high fashion wedding picture. It is artistic and causes the viewer to think.

The bridal photograph to the left illustrates a good example of high fashion wedding photography. The picture resembles a perfume advertisement with its ethereal quality and artistic pose, yet it captures the bride and the quality of the dress to perfection.

High Fashion Couple Poses

Much like the fairy tale, this picture brings you to a simple kiss. Like in Sleeping Beauty, the groom awakens his princess bride for a life of eternal happiness. This picture evokes much more feeling than standing the bride and groom together and snapping a picture. This photograph illustrates the photo essay aspect of the photojournalism as it conveys your wedding story.

Another high fashion pose to consider is one where she sits sideways on the grooms lap while he faces forward. With artistic draping of the lower half of the wedding dress, her lower legs and shoeless feet are revealed, although the dress covers the grooms clothing. Set the two before a massive stone fireplace to give the impression of the two relaxing after the wedding. Slide the dress around the middle of her thighs; slip his hand on the outer thigh just above the garter and under the dress. Have her lean into his body as they both face each other ready to kiss.

Black and White Photography

Although you could shoot high fashion photographs in black and white with a digital camera, the better option is to shoot in raw and transform them through software. This technique allows the option to print either a color photograph or remove the color to create a black & white version, without damaging or detracting from the original photograph. You can also achieve more control over your fashion wedding picture as you crop, control color saturation and apply art techniques. One advantage to black and white photography is the striking contrasts. Without color, the human figure becomes a central focus in the picture with the expression displayed.

Bushnell Voyager Sky Tour 78-9930 Telescope

Actually, the only rule on this guided trip is that you enjoy the view. The ultimate first telescope, the Voyager Sky Tour series gives amateur stargazers a pro-grade audio tour of the night sky. Its Illuminated Smart Mount points the way as the talking handset describes constellations and planets, and keeps you engaged with entertaining facts and mythology tidbits. Keeping pace is easy with the LED red dot finderscope. You’re an instant expert with the Sky Tour series.

Details
Product Type                      Telescope 
Telescope Class                  Reflector 
Telescope Aperture             76 mm 
Barrel Diameter                   1.25" 
Included Qty                       3 

Birds still come out despite cold conditions

A biting onshore wind brought tears to my eyes as I ran into it, and I upped my pace in an effort to keep the cold at tolerable levels. I had wanted to take advantage of the late-day light and go for a short run, as I had been indoors all afternoon.

I had also wanted to do a bit of bird-watching, so I’d brought my binoculars along. I could feel them gently thumping against my back as I loped down the beach.

I figured I’d be the only one crazy enough to be out there, as that day marked the beginning of the severe cold snap we had been experiencing. While the daytime temperature wasn’t yet as bad as it would become, the approaching dusk was causing it to fall like a stone.

As it was, I had plenty of company. Several people were out with their dogs, that seemed ecstatic and oblivious to the cold as they chased sticks, balls and each other. Their owners, meanwhile, snuggled deep beneath heavy coats, hats, hoods and scarves. I’m sure they thought I was crazy to be out there if I didn’t have a dog to exercise.

I had myself to exercise, though, and birds to see. It wasn’t long before I was stopping to look, sliding the binoculars from behind my back and focusing out into the cove. The first thing to come into focus — slowly, as the focus wheel of the glasses was sluggish because of the cold — was a pair of white-winged scoters.

While one of the scoters was busy diving for food — most likely blue mussels — the other carefully preened its feathers while floating passively on the surface. In the distance, I could see a female red-breasted merganser, also busy foraging. In the shallows near the beach, American black ducks foraged, upending in their comical fashion as they dabbled for food, possibly snails, amphipods and clam worms.

The ducks were so close I had excellent views as I watched them, marveling at the way they seemed so inured to their frigid element. Their feet paddled rapidly as they dabbled, and I could see the water beading up and rolling off their feathers when they surfaced.

With the approach of dusk, only the islands at the mouth of the bay remained bathed in light, their mantles of snow turning orange, then pink, with the setting of the sun. Closer to shore, in the shadow of the mainland, the ocean reflected the changing light with water the color of deep green anthracite. In the east, puffs of cumulous clouds flushed a light salmon and began fading to deep purple. With that, I realized it was time to head indoors. It was just too cold for comfort.

Thinking about the birds, I was humbled at the physiological adaptations that allowed them to survive in such severe conditions.

For starters, there is the amazing structure of their feathers. Made of keratin, strong yet flexible, they consist of tiny, innumerable projections that allow them to interlock tightly together. Small differences in these structures among birds, as well as how the feathers themselves are arranged, can provide waterproofing and buoyancy. There is also a substance secreted from a gland at the base of their tails that is used to maintain the integrity and health of the feathers — a rich oil of waxes, fatty acids, fat and water that basically cleans and conditions the feathers. Additionally, there are feathers called powderdowns, which continuously slough a powder of waterproofing keratin particles throughout the bird’s plumage.

Last but not least is the amazing system of thermal regulation in a bird’s legs, especially those of water birds. Very simply put, it consists of a network of intertwining arteries and veins (which facilitate a countercurrent heat exchange), as well as circulatory shunts, which can decrease the amount of heat loss through the feet by as much as 90 percent.

Pretty amazing what you’ll start pondering after a cold run on the beach.

CHOOSING THE RIGHT BINOCULARS

When in comes to selecting a span of binoculars, have certain to select one that fits your personal as well as particular needs. Despite renouned belief, there isn’t a singular ‘best’ span of binoculars. Before selecting a set for you, have certain to take in to care what privately we will be regulating these binoculars for. The following is a reduced outline of a little of a opposite kinds of activities we might need a span of binoculars for, as well as how it goods your shopping decision. Binoculars for Bird Watching. When it comes to shopping a span of binoculars for bird watching, a magnification of 8 times or incomparable is sufficient. Many bird watchers typically wish a compress set of binoculars; about 8 x twenty-five in dimensions. The not as big binoculars have been good since they fit right in to your pockets for easy storage as well as discerning access. Also, since day time make use of is in all what is called for in bird watching, compress binoculars have been splendid sufficient for this kind of exposure. Not to contend that a full sized set of binoculars wouldn’t be value receiving along. A incomparable set of binoculars, about 8 x 40, have been good for those who similar to see their birds in incomparable detail. With full-sized binoculars we get improved picture as well as tone quality. Binoculars for Butterfly Watching. There have been 3 categorical comparisons when purchasing a set of binoculars for Butterfly Watching. One is a concentration capability of a binoculars. Another is a magnification. And a third is a binoculars’ capability to accumulate light. The concentration capability of binoculars rely on a specific pattern of a binoculars and, in a little cases, a traits if a individual’s eyes. What we contingency assimilate about butterflies is that they lend towards to concede watchers to comply them from tighten range. So when selecting a span of binoculars for moth watching, it is critical to get a set that have been good with tighten operation focus; about 10 to 6 feet. Because of one’s capability to get closer to butterflies, a magnification of a binoculars need not surpass 8 times. Magnifying a theme as well most will be formidable as butterflies pierce rather than quickly. Larger design lenses for your binoculars equates to some-more light that improves item as well as distinctness of your view. This is critical for those who cite to watch butterflies in wooded areas. For those who go to open fields to watch butterflies, incomparable design lenses might not be a prerequisite for their binoculars. Binoculars for Hunting. For those who suffer hunting, a good span of binoculars is necessary in success as well as altogether enjoyment. When purchasing binoculars for this sort of activity, waterproofing should be at a tip of a checklist. Purchasing a full to mid-sized span of binoculars is additionally preferred for hunters. Fixed energy binoculars should additionally be a welfare as they concede for a incomparable margin of view; a prerequisite for spotting your prey. Besides, land a binoculars solid at a aloft magnifications is utterly formidable as well as tends to be a interruption in a sport field. Well, we certain goal this reduced essay can give we an thought as to because it is critical to take all in to care when it comes to purchasing your own personal span of binoculars. So take your time as a good span of binoculars is a good investment no make a difference what event(s) your into.

How to Buy Good Binoculars When Shopping

If you love hunting on mountains for sheep or bears and want to buy good binoculars for supporting your expeditions, you will have to use the best techniques for acquiring the best ones. Many companies like Nikon, Zeiss, Burris and Canon manufacture powerful optics for hunters who carry out hunting trips in the United States of America season-after-season. Becoming an active hunter will probably cause you to purchase a new binoculars from good shops which sell merchandises to fishermen and hunters every week. The simple tips in this article show you how to buy good binoculars from online or traditional shops which support the overall outdoor industry.
Tips
  • Good binoculars provide crystal clear images when using them for capturing events in shaky moments. Buy good binoculars when shopping for image-retaining devices from Walmart or Best Buy stores in Manhattan. If you want to own good binoculars, you should buy the ones which have powerful lenses. The lenses of binoculars should be very important to any individual who wants to start hunting edible animals in thick forests. Digital cameras have lenses as binoculars since they perform similar actions when they are used for catching motions. Basically, buy image-stabilizing binoculars so that you can utilize them for performing outdoor activities.
  • Pick binoculars that are very small too. Choosing small binoculars when planning to own three or more in the future should be important to you. Big binoculars that have high magnification features and produce non-shaky images aren’t literally concealable. Usually, good explorers carry small size cameras when they are traveling to certain parts of the world. Also, you must be willing to buy waterproof binoculars. Commonly, good binoculars are water-resistant, have rubberized coverings, carrying straps and mild cases.

Steiner 395 Binocular 7 x 50 Commander XP C

Steiner Binoculars 395 7x50 Commander XP C. The most important innovation in the Commander XP are the XP Optics; a new high definition, broad band optical formula that features record setting light transmission for times in the dark and clear, sharp, high contrast and comfortable images in daylight. In addition to the XP Optics, is a new high-tech optical coating on both the objective and eyepieces called “NANO Protection”. This new coating repels water and moisture off the lenses leaving them clear of water or moisture. Like windshield wipers for your binoculars, you won't ever have to wipe them clean of moisture. The secret lies in a unique permanent molecular bonding substance that makes the lenses so smooth, that absolutely nothing adheres to them. Mil. spec waterproof for use in extreme environmental conditions Internal prism suspension will keep optics completely aligned Nitrogen pressure system completely eliminates inner fogging All models are available with Compass models feature reticle and electronic compass illumination XP model includes yellow floatation strap.

Hunting Star Clusters? Orion and Bull Constellations Point the Way

With the moon now out of the evening sky, now is an ideal time to use your binoculars to explore the star clusters that are now visible, with the constellations of Orion and Taurus pointing the way.

Open star clusters represent aggregations of young, recently born stars. They can be found in our Milky Way galaxy’s local spiral arm, the interior of which is visible at this time of year.

Two of the very best star clusters for skywatchers are high in our evening sky and toward the south at around 8 p.m. EST (0100 GMT). You can easily locate them by using the famous three-star belt of the constellation Orion, the Mighty Hunter. 

Extending an imaginary line from the belt, upward and to the right will take you to the star clusters of Hyades and Pleiades in the constellation Taurus, the Bull. The sky map of Orion and Taurus in this story shows how they appear overhead in the night sky.

Interestingly, Australian aborigines believed that the three belt stars of Orion were three young men dancing to the music played by nearby maidens (the Pleiades). Indeed, the most beautiful and famous star cluster in the night sky is the Pleiades.

The Seven Sisters

Few star figures are as familiar as the star cluster Pleiades, which is also known as the Seven Sisters.

Anyone having difficulty in recognizing various stars and constellations should start with the Pleiades, because there is nothing else like them in the sky, and nobody can look very long at the heavens on a winter night without noticing them and wondering what they are. [Winter Skywatching Tips]

To the average observer’s eye, this group looks at first like a shimmering little cloud of light. But further examination, aided by good eyesight, will reveal a tight knot of tiny stars. About 250 stars have been identified as members of this cluster.

Gaze at them through binoculars: The brightest stars glitter like an array of icy blue diamonds on black velvet. Or as Alfred Lord Tennyson wrote, they “Glitter like a swarm of fireflies tangled in a silver braid.”

The traditional Greek legend for the Seven Sisters is that they are the daughters of Atlas and Pleione.  Their father, Atlas, rebelled against Zeus, the king of the gods, who retaliated by sentencing him to forever holding up the heavens on his shoulders.

This so grieved the sisters that Zeus placed them in the heavens so that they could be close to their father.

Interestingly, widely separated and totally different cultures have always described the Pleiades as the “Seven Sisters,” “Seven Maidens,” or “Seven Little Girls.” Yet, only six stars are readily visible to most.

Those with more acute eyes can glimpse a dozen or more. But why this cluster has been cited by more than one early people as having seven members remains a mystery.

Several stars in the cluster seem to be enveloped in clouds of dust, perhaps left over from the stuff of which they were formed. About 410 light-years away, and some 20 light-years across, the group may be no older than 20 million years and contain a total of perhaps 250 stars.

When I give planetarium shows to grammar and elementary school children, I point out Taurus and ask why he might be so angry. I’ll then point to the Pleiades and note, “Maybe it’s because he has seven bumblebees sitting on his back, stinging him.”

The Bull’s eye and face

The Pleiades cluster is in the Bull’s shoulder. The Bull’s face is plainly marked by the fine V-shaped cluster of the Hyades.

If you look closely, you may notice the bright orange star at the end of the lower arm of the V, which represents the Bull’s fiery eye. That’s the star Aldebaran, “the follower.” It rises soon after the Pleiades and pursues them across the sky.

The Hyades is among the nearest of the star clusters, which explains why so many of the separate stars can be readily seen.

At a distance of 130 light-years, the Hyades members travel through space like a flock of geese, their paths ultimately converging toward a between the stars Betelgeuse in Orion and Procyon in Canis Minor, while receding from us at the rate of 100,000 mph.

Aldebaran, on the other hand, is a foreground star that does not belong at all to the Hyades and is moving toward the south almost at right angles to the cluster’s motion and twice as fast.

Taurus’s V-shaped head is, therefore, going to pieces. For 25,000 years or more it will pass for a V, but after 50,000 years it will be quite out of shape.

In the old allegorical star maps, Taurus appears to be making at charge at Orion, the Hunter. Orion, in order to protect himself, is holding an upraised club in one hand, while brandishing a lion skin as a sort of shield (almost like a matador would hold a cape).

At the moment, with both Bull and Hunter high in our southern sky, it appears as if the battle is about to begin.

As the night wears on, however, Taurus will appear to descend the western sky, ultimately disappearing in the after-midnight hours. Orion too will gradually disappear, his upraised club the last to vanish below the horizon, almost like a symbol of victory.

Olympus builds on powerful PEN series

Review

Consumer electronics companies have, from time to time, forgotten the familiar adage that “if it ain’t broke, don’t fix it.” Camera maker Olympus has not, at least when it comes to their excellent PEN digital camera.

The PEN’s new ED 14-42mm f3.5/5.6 lens packs some impressive results including close, macro focusing, and stylish-looking depth-of-field. But perhaps the nicest surprise was trying out the flash. Many consumer cameras tend to have a built in flash that either blows out a subject at close range or leaves them in the shadows even though they’re only metres away. The camera does a good job of adapting to different scenarios and achieving balanced and natural results.

Shooters with a little creativity will appreciate the camera’s art filters – overlays such as Grainy Film, Pop Art and Soft Focus – and various Scene-Select modes. The PEN has six art filters, which are fun to play around with but can get old after a while. Also, art filters can make the image on the LCD screen stutter and chop when you’re trying to compose a shot. However, using one of the 22 shooting modes is worth the results. Sunset, for example, punches up the colour and saturation of a scene while High Key mode handles backlit glare wonderfully well.
While the camera shines in its Automatic and Scene modes, Manual mode tends to be slow and cumbersome. If you have time to shoot something right and want to control your exposure, the camera will allow you to do that. But if there’s a critical moment at stake, you’ll have to get this camera off Manual and onto some type of Automatic mode.
Also, strange orange spotting sometimes occurs when shooting the sun through a shadowed area. This phenomenon crops up quite a bit with this camera and can produce effects that are distracting and unnatural looking. And, though it’s not an especially trumpeted aspect of the camera, the PEN’s video capabilities – 720p at 30 frames per second – are relatively simple.

Panasonic Expands Its Popular ZS-Series of Digital Cameras with additional advanced Features


Panasonic today introduced the LUMIX DMC-ZS10 as the newest member of its acclaimed LUMIX ZS-Series of digital cameras that has won worldwide popularity for its versatile lens from ultra wide-angle to long zoom.  The LUMIX ZS10 continues its versatility with a 24mm ultra-wide-angle and powerful 16x optical zoom LEICA DC VARIO-ELMAR lens – and it features full-High Definition 1920x1080 video recording capability, a newly-adopted large 3.0-inch, 460,000-dot Smart Touch Intelligent LCD – which allows for Touch Zoom, Touch Auto Focus (AF), Touch Shutter, and Touch Playback.  The LUMIX ZS10 also features a built-in GPS (Global Positioning System) function allowing geotagged images to be pinpointed via online maps and easily shared with friends and families.

“With the introduction of the LUMIX ZS10, Panasonic expects to continue to lead the market in long zoom digital cameras, as this very advanced digital camera not only offers a 16x optical zoom, but with an even wider 24mm Leica lens, this is a truly robust digital camera for both still photos and full HD 1080 videos,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “With new features such as touch-screen operation and even a 3D photo mode, Panasonic continues to pack the ZS10 with innovative features for capturing high-quality photos and videos, which can be easily shared with family and friends using the new LUMIX Image Uploader feature.”

The Panasonic LUMIX ZS10 also features the new Panasonic 3D Photo mode, which produces a realistic 3D photo by taking 20 consecutive photos and overlaying the two best images which provide a 3D image that can then be played on a Panasonic VIERA 3D HDTV. The format of the 3D image is compatible with MPO, and can also be played back on other MPO-compatible equipment such as a televisions, digital photo frame and printers.  Panasonic also adds the LUMIX Image Uploader for seamless and instant sharing via Facebook (for digital photos) or YouTube (for videos). Users can checkmark the photo or video files they want to share, connect it to a PC with the included USB cable or by inserting the SD Memory Card directly into the PC’s SD Card slot, and then the uploading automatically launches with an easy-to-follow menu option.

Using the touch-screen, once locked on the subject, the LUMIX ZS10 tracks the subject with the AF tracking function even if it moves. With the Intelligent Scene Selector in the iA mode, the LUMIX ZS10 automatically switches to the appropriate mode according to the subject touched. For example, a touch on a human face switches to the portrait mode and a touch on the background or a landscape changes to the Scenery mode, while a touch on the subject close in the foreground changes to Macro mode. All menu settings are now available with touch control. The touch-screen operation excels not only for shooting, but also in playback, allowing the user to drag the images across the screen with a finger and browse the collection of photos as though flipping the pages of a book.

Newly adopted 14.1-megapixel MOS sensor and the advanced image processor Venus Engine FHD feature high speed, high sensitivity image recording to realize 1920x1080 full-HD movie recording and high speed burst shooting in high picture quality. It also compiles the Intelligent Resolution technology to perform optimum signal processing to give the entire image outstandingly natural clearness with fine details. The powerful 16x optical zoom – available while shooting videos – increases its power to 21x equivalent with the Intelligent Zoom function, taking advantage of Intelligent Resolution technology. The Sonic Speed AF also boasts approximately 49% higher speed compared to its LUMIX ZS7 predecessor.

The LUMIX ZS10 shoots 10 fps in 14-megapixel full resolution with mechanical shutter and 5 fps with continuous AF. Even higher speed burst shooting is available with LUMIX ZS10 if the electronic shutter is used - 60 fps in 3.5-megapixel (1). The LUMIX ZS10 is an advanced photographic tool for recording not only great photos but also beautiful full-HD movies. In addition to Motion JPEG images, the LUMIX ZS10 can record high-resolution full-HD 1920x1080 60i videos in AVCHD (MPEG-4 / H.264)* format. The high frame rate of 60i excels in recording moving subjects with outstanding smoothness. The videos also come with the high-quality stereo sound of Dolby® Digital Stereo Creator, to offer highly realistic sound.

Panasonic‘s iA Mode, a suite of technologies that engage automatically, has evolved for more powerful image stabilization while video recording and taking still photos with Active Mode which boosts POWER OIS to excel in suppressing blur when recording videos at wide angle while walking. New iA features include the Intelligent Handheld Nightshot, which creates a beautiful night scenery with illumination by layering the images shot consecutively. Furthermore, the Intelligent Burst Shooting automatically sets the frame rate of burst shooting according to the subject’s movement – whether it moves fast or slow – utilizing the mechanism of Intelligent ISO Control.  Other features of iA include: Motion Deblur, POWER OIS, Face Recognition, Face Detection, AF Tracking, Intelligent ISO Control, Intelligent Scene Selector and Intelligent Exposure. With iA, taking beautiful photos is possible for users at any skill level. In addition, the Intelligent Resolution technology is always activated in the iA mode, which helps produce even clearer photos by precisely performing signal processing, pixel by pixel, to help ensure clear and sharp images.

The LUMIX ZS10 digital camera features a built-in GPS system which tags the location data where the photo was taken with its latitude and longitude automatically in the Exif data. Plus, the LUMIX ZS10 also shows the name of the Country/Region, State/Prov./County, County/Township, City/Town/Village and Landmark by using internal data to give users details on where the photos or videos were taken.  The area information covers 203 countries or regions for global users. Plus, more than 1,000,000 landmarks over 78 countries or regions are in the database. Using the included software PHOTOfunSTUDIO 6.1 HD Lite Edition, photos and videos can be searched by location and names. The LUMIX ZS10 also features an internal clock that automatically adjusts to the local time when GPS is enabled – a handy feature for travelers.

The LUMIX DMC-ZS8 was also added to the ZS-Series of cameras and maintains the versatile 24mm ultra-wide angle and powerful 16x optical zoom LEICA DC VARIO-ELMAR lens. Other features include:

  • iA mode including POWER OIS, Intelligent ISO Control, Intelligent Scene Selector, Face Recognition, Intelligent Exposure
  • Venus Engine VI featuring Intelligent Resolution
  • 720p HD video recording in Motion JPEG
  • Large 3.0-inch large 230,000-dot Intelligent LCD
  • Manual exposure
  • LUMIX Image Uploader
The LUMIX ZS10 will be available in black, red, blue, silver, and brown; while the LUMIX ZS8 will be available in black and silver.

Olympus E-5

Pros
Takes sharp photos in good light. Splashproof and dustproof. Crisp, articulating LCD. In-camera color effects and HDR. Excellent connectivity options.

Cons
Bulky and heavy. Underwhelming low-light performance. Video capture is limited to 720p30. Slow autofocus during Live View shooting. Audible lens noise during video recording.

Bottom Line
The splashproof, dustproof Olympus E-5 is a good option if you shoot photos and video in unfriendly environments, but with middling low-light performance and limited video-capture options it’s not the best D-SLR you can buy for the money.

The splashproof, dustproof Olympus E-5 is a fun, fast, and tough digital camera. This 12.3-megapixel D-SLR takes sharp photos in good lighting conditions, and there are a number of in-camera color effects that can be added on the fly.
Design

Like most D-SLRs, the E-5 isn’t exactly compact—it weighs a seriously hefty 1.97 pounds and measures a considerable 4.6 by 5.6 by 2.9 inches (HWD). It’s built for speedy shooting, though: You’ll find dedicated buttons to toggle shooting modes, white balance, autofocus, Live View, video capture, ISO (International Standards Organization) sensitivity and more, providing quick access to features that might otherwise require you to dig through menus. Two scroll dials—one in the front for your index finger and one in the back for your thumb—let you make quick adjustments without taking your eye off the viewfinder.

When it’s combined with a weatherproof lens (Olympus makes several), the E-5 is one tough camera. (The magnesium-alloy camera body withstood bumps, bangs, and liberal splashing in my tests.)

The 3-inch LCD is packed with 920,000 dots, so it’s as large and as sharp as most of the cameras in its price range. The display is mounted on an articulating arm, which can be pulled out and spun around up to 270 degrees. If you shoot in Live View mode (using the LCD as a viewfinder), you can hold the camera above or below your head, and angle the LCD—which is helpful for shooting at awkward angles and heights. Like most traditional D-SLRs, though, when you’re shooting in Live View mode, the E-5 bypasses the rapid phase detection autofocus system. It instead uses the slower contrast measurement autofocus, so Live View shooting is much slower than if you use the optical viewfinder. Sony is the only manufacturer to make fast D-SLRs, like Sony Alpha a550, with articulating displays and fast phase detection autofocus in Live View.

The user interface on the E-5 isn’t anything special, but it’s simple and offers some basic features for enhancing your photos. There are 10 integrated filters including Pinhole, Film Grain, Gentle Sepia, and others. The E-5 also has an HDR (high-dynamic range) setting, which takes overexposed and under-exposed images of the same subject and merges them into one photo, typically improving the lighting and exposure of the shot.

Performance

The E-5 is very speedy, but there are even faster models available at this price range. The camera can power on and shoot in an average of 1.6 seconds, and once it’s powered up, it can capture up to five images per second with virtually no shutter lag. The Canon EOS 7D and Nikon D300s, though, both offer 8 frames per second (fps) shooting.

In the PC Labs we use Imatest to collect objective information about image quality. At the cleanest ISO sensitivity (ISO 100), the E-5 offered a center-weighted average of 2,018 lines per picture height—an excellent score. The Canon 7D averaged 1,999 lines, and the Nikon D300s was very soft at just 1,480 lines. In good light (with low ISO sensitivities), the Olympus E-5 delivers extremely sharp photos.

Under poor lighting conditions (which require high ISOs), results are less impressive. If Imatest detects more than 1.5 percent noise, the image will appear grainy. The Canon 7D and Nikon D300s can produce usable images up to and including ISO 3200, but the E-5 can’t climb that high: At ISO 3200 it produces images with more than 1.5 percent noise. Even less expensive cameras, like the Editors’ Choice Canon EOS Rebel T2i, can go to ISO 3200 and keep noise under 1.5 percent. That means that in low-light situations, the E-5 won’t perform especially well.

And underwhelming low-light score is likely due to the fact that the E-5’s image sensor is not as large as D-SLR competitors from Nikon, Olympus, Sony and Pentax. The E-5’s Four Thirds image sensor measures 17.3 by 13mm (225mm²), whereas “APS-C” sensors found in most D-SLRs measure 23.6 by 15.7 (370mm²), and are roughly 64 percent larger.

Video recorded with the E-5 looks great, and shooting is a lot of fun because you can apply the in-camera filters to your videos. You can even shoot in manual mode and control the level of blur (shutter speed) or depth of field (aperture). One shortcoming: You can’t control the size of the video or the frame rate—the only option is 720p at 30 frames per second. The less-expensive Canon T2i offers a choice of 720p at 60 fps, or 1080p at 24 or 30 fps.
The video recording experience has the same limitations as with most traditional D-SLRs—the camera can’t continuously autofocus (so tracking faces isn’t possible); and if you use the built-in microphone, you’ll capture noise from the lens every time you refocus (unless you focus manually). You can avoid the noise by using an external microphone in the camera’s 1/8th–inch input jack.

The E-5 gets an easy “A” for connectivity—all of its ports are industry standards so you shouldn’t have trouble finding inexpensive replacement cables. There’s a mini-USB port for connecting to your computer and mini-HDMI for playback on HDTVs. You also get memory slots for CF cards or SDXC cards. (Keep in mind, though, if you use SDHC cards you’ll want fast ones—at least class 6—to capture video or shoot still at high speeds.)
Overall, the Olympus E-5 is a good choice if you need manual shooting in environments that are moist, wet, sandy, or just generally hostile for electronics. The weather-sealed body, when outfitted with an optional weather-sealed lens will stand up to the elements better than a traditional D-SLR. But if you don’t need that level of heavy-duty protection, then the Canon Rebel EOS 7D and the Nikon D300s deliver better performance at around the same price or less.

CASIO EXILIM EX-H20G review

Features

The Casio EXILIM EX-H20G is Casio’s latest compact, but beneath its standard exterior are some unique features: namely the Hybrid GPS technology that combines Global Positioning Satellite technology with a motion sensor to geotag images wherever you are. Beyond this the camera comes pre-loaded with top locations on a map, and a simple click of a button will find your location and what’s in the surrounding area.
The EX-H20G has a 24mm wideangle lens with a 10x optical zoom that can reach to an impressive 240mm for mid-telephoto shots and is further support of a strong feature set.

Elsewhere the EX-HS20G offers Best Shot mode (for a variety of selectable Scene Modes), Premium Auto, 720p HD movie and even a Panorama setting - but no full Manual options.

On the rear there’s a 3” LCD with a decent 460k-dot resolution and the camera’s rechargeable battery promises to offer a super long-lasting life with up to 600 shots per charge.

Design

The EX-H20G is modeled in a familiar frame to the other Casio Hi-Speed or H-series compacts. The body isn’t especially slim, but it’s not too large either - and this is entirely forgivable given the significance of the 10x optical zoom lens that sits flush into the camera when turned off.

The feel of the camera is perhaps a little plasticy in the hand, though the lens surround and barrel feel sturdy and well made.

Accessing options is quick via the ‘BS’ (Best Shot) button on the camera’s rear and other settings are easy to toggle through. A lack of manual options means that there are relatively few modes that require more than a point-and-shoot action. And 720p HD movie is particularly easy to activate with the one-touch movie button on the rear to the top right hand side.

The H20G’s GPS mode has its own individual button for quick access into mapping locations and is conveniently located to the top left side of the camera next to the ‘Current Location’ button.

Black or silver colour options are available in the UK and either options smartly-dress the camera body.

Sony Cyber-Shot DSC-HX100V 30x Zoom Digital Camera Detailed

A new Sony Cyber-Shot has been exposed to the world ahead of it’s launch today. The Sony Cyber-Shot DSC-HX100V is going to be the official name for the new extended zoom once released by Sony at a later date. The camera wasn’t if you’ve been following included in the torrent of announcements published at the earlier this month –the HX7V, TX100V and WX9.
The camera of focus for this post will feature lots of the same types of features as the other camera detailed earlier this month. From the info gathered by thirdidigital.com the HX100V will ship with a 16.2 MP EXMOR R CMOS sensor, BIONZ imaging processor, 30x optical zoom (27-810mm 35mm equiv.) Carl Zeiss Vario Sonnar T lens with Hi-speed Auto-Focus (AF) technology.

The sensor is that the details show is going to be the new sensors that Sony will be using in all their higher-end cameras. The EXMOR R CMOS sensor is a Sony branded back-illuminated CMOS sensor, back-illuminated sensors use updated sensor design techniques that offer among other things images with less noise and better low-light shooting results.

The Sony Cyber-Shot DSC-HX100V will also feature Full HD (1920 x 1080 pixel resolution) video recording, 3D Panorama shooting SD/SDHC/SDXC/Memory Stick support and built-in GPS with Compass for precise Geo-tagging. Of course is Sony decides on Monday to release an official press release detailing this camera we’ll be sure to update you, but for now the info just detailed is all that is known.